As I walked halfway down the steep slope with an experienced hiker’s gait, the expansive view of the mountains on the other side of the valley was so beautiful that I stood in place admiring it for a minute. Even more astonishing was to hear that Mr. Tamura’s mother, who is in her 90s, is the person primarily responsible for the garden. He catalogued the various rows of vegetables: at the back there was taro, then several rows of onions and garlic, then some carrots and daikon radish, to the right there was napa cabbage and spinach, while we were standing next to some mostly depleted eggplants. During the summer they had cucumbers and tomatoes. Mr. Tamura said that he, his wife, and his mother were mostly self-sufficient when it came to vegetables, and that he even had a hunting license.
After a short digression that included pictures of hunted deer and an explanation on how to carve the meat (deer overpopulation is actually a considerable problem disrupting the ecosystems of Japan’s forested interior, so for him this was a way to be self-sufficient and help the ecological balance of his area), we turned back for the fruiting room, passing by a rows of various pepper varieties before walking around the second building and entering the fruiting room. The fruiting room also surprised me. Wall-to-wall nameko, almost like an art installation, greeted us when we entered the room, along with the clean, faint twang of nameko in the cool, damp air.
To harvest nameko, Mr. Tamura cuts the top of the bags, exposing the top of the substrate block to light which then triggers pinning. His system places the substate blocks on their side and packs them tight in place in a smooth seamless wall of substrate blocks that he then walks along, harvesting with scissors. He actually intentionally left a few spots of nameko behind during the morning harvest to show us, and proceeded to display his harvesting prowess. Holding a tub in one hand just beneath the block he was harvesting, Mr. Tamura sheared through an entire section in around thirty seconds_emdash_while talking about the process the entire time. When we weighed the harvest out, it was approximately 560 grams. I estimated that approaching it seriously, Mr. Tamura could easily harvest in excess of a hundred kilograms an hour by himself.
On some of the blocks that had already been harvested, the second flush of nameko were already bubbling up. The ability to get a second flush on the same substrate, and a decent yielding second flush at that, is one major advantage of cultivating nameko in bag systems, Mr. Tamura said. He then took us over to another room, where the second flush was almost finished, to show the end-stage for the blocks. He doesn’t change rooms. When one batch has been totally flushed, he empties out and cleans that room, then transports the next batch to that room. The room he showed us was due to be emptied in a day or two, and aside from a few patches of blocks that still had some spriggy nameko growing off them, the rest were bald and harvested. Most of the substrate blocks had developed a film of greenish or brownish molds (primarily Trichoderma) and the smell of the room had shifted from the anodyne scent of nameko to a musty, mildewy smell.
After returning to the covered awning, we received ample samples of Mr. Tamura’s prized nameko. The difference between bottle-cultivated nameko, he said, was the smaller, uniform size of the caps and the long, soft, unbruised stems. With good nameko, the stems are edible. Bottle cultivation can also lead to higher rates of malformed or lumpy caps, as opposed to the perfectly rounded caps with even coloring in his own crop. The improved quality of nameko is also seen in the increased viscosity, like okra, of the cooked product.
We took a few more pictures of the house, the goldfish pond, received some bottled water made from locally sourced water (his family drinks spring water tapped from a well), and again heard about the extremely clean, natural environment and how idea it was for mushroom farming. I saw Mr. Tamura’s three cars, and heard about his different travels around Japan that he has begun taking in recent years, and also heard about his kids and grandchildren, all of whom have left the country life behind and live in the city now. I thought that maybe Mr. Tamura represents the last generation of this farm and this rural homestead (though by American standards, being a 20 minute drive away from supermarkets, themselves right next to a high speed toll road entry gate from which you can reach downtown Tokyo by car in 90 minutes depending on traffic, is not considered particularly isolated).
I thought that it would be a shame if no one followed in his footsteps. A low impact and sustainable farm like the Tamura’s was enough to secure a comfortable living, and even the byproducts became organic fertilizer, both for his own garden and other farmer’s fields. Sunset in autumn in the mountains in Japan comes early and swiftly, as the surrounding peaks block out the setting sun. Even though it was just reaching 4PM, the ambient light had dwindled to a pale twilight when, with those thoughts, everyone made our farewell greetings.
I was left with the impression that mushroom farming is endlessly flexible, and that many systems and even family-run operations can run at considerable scale for decades with just a minimal amount of strategic investment in the right equipment. Low inputs, manageable harvests sold directly, and expertise that allowed fine-toothed management of the process with simple facilities. Most of all, I kept returning to that clock on the way that ran 20 minutes fast. Obviously, it didn’t matter to Mr. Tamura, and I thought that must be nice.